Transitioning from professional wildlife photography with ExposureTours.com to directing a fashion shoot in the Seychelles might seem daunting—especially when working with a new flagship camera. However, Bryan Pereira, a seasoned professional photographer, highlights the surprising similarities between these two specialized disciplines. Both require a deep understanding of the subject, patience for long waits, adaptability to challenging environments, and the ability to manage subjects with strong "attitudes."
As a wildlife photographer, Bryan avoids peak safari seasons to escape the crowds. This led him to seek an alternative location, ultimately selecting the Seychelles. The breathtaking rock formations and crystal-clear waters offered a stunning backdrop, while the inclusion of a model added a captivating human-interest dimension to his work.
From a technical perspective, many principles of wildlife photography apply to fashion shoots as well. Avoiding harsh midday light that casts heavy shadows, selecting settings to complement the subject's motion, and carefully considering how the background contributes to the scene is crucial in both genres.
Interestingly, the choice of lenses is not as different as one might expect. Bryan has photographed lions, cheetahs, and leopards at close range using standard or wide-angle lenses like a 28mm. His preferred lens is a versatile 28-300mm, offering exceptional range without the need for multiple heavier lenses. With advancements in ISO noise reduction, he has streamlined his gear, prioritizing mobility over carrying a wide range of lenses. Unless a super-shallow depth of field is needed, this lightweight setup meets most of his requirements in the fashion and the wildlife world. When pin-sharp quality and time allows, he switches to a heavy more specialized 200-400mm f4
The environmental challenges also differ between the two locations. On safari, dust is the main concern; in the Seychelles, water and sand presented the primary obstacles. Using a weather-sealed professional camera and rainproof covers was essential. For water spray shots, Bryan ventured chest-deep into the ocean to capture immersive, standout images. These unique perspectives not only draw attention but also translate into more work opportunities.
While the Seychelles offered some wildlife and diverse bird species, tracking birds against a clear sky was relatively easy. The real challenge, Bryan notes, will come later in the year when photographing a lion moving through tall, golden grass—a scenario where even the most advanced camera algorithms struggle. In these cases, he employs a manual approach, relying on continuous single-point back-button focus.
The most significant difference between photographing wildlife and people lies in control. In wildlife photography, the photographer must position themselves for the perfect angle, pose, lighting, and background, often relying on a guide and driver as intermediaries. In contrast, professional models require little direction and allow for direct communication, adjustments, and reshoots if needed. While some might view this flexibility as an advantage, others could consider it less challenging than capturing wildlife's decisive, fleeting moments.
About Bryan Pereira
Bryan Pereira is an internationally published, award-winning photographer with over 30 years of experience. He specializes in photo safari workshops and tours across East Africa, sharing his expertise with photographers of all levels
Media Contact:
Bryan Pereira
Exposure Tours
Phone: 416-439-4471
Email: [email protected]
Website: www.exposuretours.com
Website of Source: https://www.exposuretours.com/
Source: Story.KISSPR.com
Release ID: 1283772